わたしはにゆーヨークとシカゴおあいする。
ここのまちのしゃしんです。
Chicago
New York
Saturday, November 16, 2013
Friday, November 8, 2013
コロンビア大学でわたしは じんるいーがく （anthropology)をべんきゅ。
わたしはなまえのほんをよんでいます：
"
わたしはなまえのほんをよんでいます：
The Other Face of the Moon:
By: Claude Levi-Strauss
"
Gathering for the first time all of Claude Lévi-Strauss’s writings on Japanese civilization, The Other Face of the Moon
forms a sustained meditation into the French anthropologist’s dictum
that to understand one’s own culture, one must regard it from the point
of view of another.
Exposure to Japanese art was influential in Lévi-Strauss’s early intellectual growth, and between 1977 and 1988 he visited the country five times. The essays, lectures, and interviews of this volume, written between 1979 and 2001, are the product of these journeys. They investigate an astonishing range of subjects—among them Japan’s founding myths, Noh and Kabuki theater, the distinctiveness of the Japanese musical scale, the artisanship of Jomon pottery, and the relationship between Japanese graphic arts and cuisine. For Lévi-Strauss, Japan occupied a unique place among world cultures. Molded in the ancient past by Chinese influences, it had more recently incorporated much from Europe and the United States. But the substance of these borrowings was so carefully assimilated that Japanese culture never lost its specificity. As though viewed from the hidden side of the moon, Asia, Europe, and America all find, in Japan, images of themselves profoundly transformed.
As in Lévi-Strauss’s classic ethnography Tristes Tropiques, this new English translation presents the voice of one of France’s most public intellectuals at its most personal."
After reading this book, I have become particularly interested in Japanese mythology; in consideration of Shinto (神道)
and Buddhist traditions. The Shinto pantheon and its かみ are of particular interest. Levi's sections on Nogaku (能楽) and Kabuki かぶき theater have directed me to certain venues in NYC that take part in this form of theater.
PS: the name of this blog: "the white hair of inaba" is a particular myth discussed in this book, I highly suggest reading it as a starting point into Japanese mythologies.
じゃらしゅう！
Exposure to Japanese art was influential in Lévi-Strauss’s early intellectual growth, and between 1977 and 1988 he visited the country five times. The essays, lectures, and interviews of this volume, written between 1979 and 2001, are the product of these journeys. They investigate an astonishing range of subjects—among them Japan’s founding myths, Noh and Kabuki theater, the distinctiveness of the Japanese musical scale, the artisanship of Jomon pottery, and the relationship between Japanese graphic arts and cuisine. For Lévi-Strauss, Japan occupied a unique place among world cultures. Molded in the ancient past by Chinese influences, it had more recently incorporated much from Europe and the United States. But the substance of these borrowings was so carefully assimilated that Japanese culture never lost its specificity. As though viewed from the hidden side of the moon, Asia, Europe, and America all find, in Japan, images of themselves profoundly transformed.
As in Lévi-Strauss’s classic ethnography Tristes Tropiques, this new English translation presents the voice of one of France’s most public intellectuals at its most personal."
After reading this book, I have become particularly interested in Japanese mythology; in consideration of Shinto (神道)
and Buddhist traditions. The Shinto pantheon and its かみ are of particular interest. Levi's sections on Nogaku (能楽) and Kabuki かぶき theater have directed me to certain venues in NYC that take part in this form of theater.
PS: the name of this blog: "the white hair of inaba" is a particular myth discussed in this book, I highly suggest reading it as a starting point into Japanese mythologies.
じゃらしゅう！
Friday, November 1, 2013
わたしもアニメがすきです。I particularly prefer subbed to dub anime, even after it has been imported to the western audience.
Examples of the sub is better animes (at least in my opinion):
rurouni kenshin, yuyu hakusho, Trigun, Ghost in the shell, Redline, Neon Genesis Evangelion, Cowboy Bebop, and perhaps to many others to mention.
More recently I have invested some time into watching a couple series like:
Shingeki No Kyojin, Code Geas, Sword Art Online.
However, as I am continually exposed to Japanese cultures, I look to expand my interests beyond just anime and music, but also to artists (painters, sculptures, digital art), writers, movies, theater（かぶき
Examples of the sub is better animes (at least in my opinion):
rurouni kenshin, yuyu hakusho, Trigun, Ghost in the shell, Redline, Neon Genesis Evangelion, Cowboy Bebop, and perhaps to many others to mention.
More recently I have invested some time into watching a couple series like:
Shingeki No Kyojin, Code Geas, Sword Art Online.
However, as I am continually exposed to Japanese cultures, I look to expand my interests beyond just anime and music, but also to artists (painters, sculptures, digital art), writers, movies, theater（かぶき
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